July 2007 archive

NYC MUSIC: Isheeta Ganguly CD Launch – IAAC/Sundaram Tagore Gallery, July 31 @ 6:30pm

Jul ’07
31
6:30 pm

Isheeta Ganguly CD LaunchIsheeta Ganguly:
Isheeta Ganguly is a fusion singer of the Indian diaspora. Born in Kolkata and raised in the U.S., Turkey, Japan and Indonesia, Isheeta began singing at the age of five and came to Kolkata as a teenager to train in Rabindrasangeet under maestro Smt. Suchitra Mitra and in Indian classical music with A.T. Kanan. Rabindrasangeet became the thread of continuity for Isheeta, while she was growing up amidst various cultural contexts around the world. Isheeta released her first album, titled “Tomari Nam Bolbo” at the age of fifteen, which struck a chord with Kolkata listeners, and also made her the youngest artist to release an album in Tagore’s music. “Nutan Joubaneri Duth”, (Call of the Young), is Isheeta’s first release with SAREGAMA/HMV which has also been directed by Smt. Suchitra Mitra. The album includes a selection of popular, inspirational, Tagore songs which revolve around themes of rejuvenation, courage and reinvention.

Since her first acclaimed release, described by The Times Of India as “a most exciting find”, Isheeta has performed Rabindrasangeet widely both in Kolkata and the U.S. where she performed regularly at the annual North American Bengali Conferences as well as several international music festivals in New York City. Additionally, Isheeta recorded four more highly anticipated albums in Rabindrasangeet, two of which were collaborations with her guru Smt. Suchitra Mitra, in a series titled, “Aj Khala Bhangar Khala”.

Simultaneous to her journey with Rabindrasangeet, Isheeta was inspired in Western opera and jazz through her training with Nancy Wilson from the Lincoln Center in New York City. Subsequently, during her college years at Brown University, she performed with a pop a’cappella group called the Chattertocks a group with regaled audiences all over the U.S. with jazz and pop favorites.

Her proficiency in both Rabindrasangeet and Western styles of singing led to collaborations a number of international projects including: a multi-media work called “Riot” with Shabana Azmi, Madhur Jaffrey and Shashi Tharoor in New York City, the inaugural performances of four Indo-American Arts Council Film Festivals with Mira Nair, Deepa Mehta and the late Ismael Merchant, a multi-media collaboration with danseuse Mallika Sarabhai and The Battery Dance Company titled, “Still I Rise” as well as a collaboration with Tanushree Shankar’s Tagore based production titled “Chiranthan”.

Sundaram Tagore GalleryCall of the Young:
Call of the Young (Nutan Joubaneri Duth), directed by her guru Smt. Suchitra Mitra, is Isheeta’s first release with SAREGAMA, which will also be distributed internationally. The album includes a selection of popular, seasonal and inspirational Tagore songs with universal themes of rejuvenation, courage, reinvention and celebration that mirror the experiences of every community.

Isheeta wants to familiarize audiences outside Bengal, both nationally and internationally, with the delights of Rabindra Sangeet, particularly the lilting melodies and poetic lyrics which strike a chord with people across age groups and nationalities around the world.

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When: Tue, July 31, 2007, 6:30-8:30pm

Where: Sundaram Tagore Gallery, 547 W. 27th Street, 6th Floor

Contact the Indo-American Arts Council for more details

Fearing Too Much Democracy

(Posted at Dorf on Law)

A few days ago, Mike posed the following question regarding Pakistan:

Is it possible to support the pro-democracy forces without risking the replacement of an autocratic but friendly regime with a fanatical hostile one?

My own initial reaction was that intense fear of that prospect, which Mike described as “terrifying,” might often cause Americans to overestimate the actual risk. (Yes, John Edwards, I’m talking to you.) Now, over at Chapati Mystery, our colleague Sepoy goes a step further, arguing not simply that it is possible to support the pro-democracy forces without that feared outcome materializing, but that doing so in fact offers the best hope of avoiding it. His essay offers some useful background on the current standoff in Islamabad at the Lal Masjid (and in particular, its roots in the Islamization policies implemented during the 1980s by the last military dictator in Pakistan supported by the United States, General Zia ul Haq). The full post is well worth the read, but here’s the punch line:

The strengthening of miltant forces in Pakistan – and their inward gaze – has not come from any radicalization of Pakistani society but from the incomplete operation of US forces in Afghanistan. The war in Iraq drained away any plan for a viable and functioning Afghanistan. The defeated troops carried their tribal allegiances back across the border into the Northern and Western regions of Pakistan – and turned their attention onto Pakistani state. Musharraf, busy consolidating the military’s dominion had no viable way of combating these tribes – he has no legitimacy. I could be writing an alternative version of this recent past, if democratic tendencies had actually been allowed to develop in Pakistan since 2001. You may call it ‘paradoxical’ but the only solution to de-Islamization of Pakistan is democracy – not the support of dictatorships.

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While many western observers praise Musharraf’s brave decision to side with the United States, the truth is that it was a no-brainer for him. The majority of Pakistan’s population has long maintained a healthy distaste for the involvement of religious leaders into statecraft – taking perhaps as axiomatic Bulleh Shah’s old verse: Mulla tay mashaalchi dohaan ikko chiz / Loukan karday chananan, aap anhairae vich [The Cleric and the Light Bearer are both the same / Trying to illuminate others, but in darkness themselves]. The outpouring of support for the Chief Justice is just one indication that the country is hungry for relief – note, please note, that Chaudhry Iftikhar is not some bearded mullah with any agenda for Shari’ah implementation in Pakistan. And yet, that old canard is forever being bandied about that if given democracy, the insane mullahs will control Pakistan. The choice has never been between Musharraf and the Mullah or the Mosque and the Ballot. The truth is that there never has been any choice. And the Pakistani public demand a choice. And they can be trusted to make the right decision just as much as any other citizen in any other democracy in any nation of this world [cf. 2000 and 2004, United States of America.] [link]

Pakistani military analyst Dr. Ayesha Siddiqa, author of the recent book “Military, Inc.,” offers a related perspective here.

(Oh, and that photo at the top of the post? It’s not from yet another stop on the Chaudhry yatra, but rather from a 100,000 person rally in Karachi against the Lal Masjid clerics back in April.)

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